Creativity of the Ukrainian ''Prague School'' Composers in the Context of Musical Theoretical Training of Future Art Disciplines Teachers
DOI:
https://doi.org/10.35433/pedagogy.4(86).2016.3-7Keywords:
the Prague school, musical style, composer’s style, musical folklore, musical form, harmonic thinkingAbstract
Having assimilated the experience of the Prague school, the representatives of younger Ukrainian composers’ generation elaborated the modernistic tendencies of European Slavonic esthetics. The appearance of neoclassic tendencies in the Ukrainian composers’ oeuvre was connected with the desire to master classical music heritage (in the wide sense) in practice on one hand, and with neoclassical tendencies in Western culture in general on the other hand. The character of innovations showed itself in piano oeuvre first of all, which was naturally grounded on inner factors of national art heritage. In that very period an active attention of Ukrainian composers was aimed at the classic genres of Western piano music such as sonatas, baroque polyphonic genres, variational cycles and program suite.
Experiments with form, rhythms, mode tonal organization and harmony are peculiar for symphonic, chamber instrumental, vocal oeuvre of M. Kolessa, R. Simovych, Z. Lysko, S. Turkevych-Lisovska. The consequences of V. Novak’s style influence with its tendency to symbolic, metaphoric folk songs’ palette, veiled impressionistic harmonies and texture, especially had an effect on their
The merit of the Prague composers’ school in the development of Ukrainian art lies in realization of rich creative potential of national music, represented in Czech culture by young Ukrainian composers, who were successful in developing of bright innovatory tendencies of native art in European context. The forming of national musical style based on assimilation of neo-romantic and a modernistic tendency of world culture also belong to them.
In our opinion, the musical theoretic approach multiplied by rethinking of factors of influence on their oeuvre in the learning of individual manner of Ukrainian composers' writing, who laid the foundation of professional national composer school, is one of the most important factors of high professionalism of the future teacher of music art.
References
Hrinchenko M. Muzykal'na tvorchist' i muzykal'nyy fol'klor Zakhidnoyi Ukrayiny [Musical Art and Musical Folklore of Western Ukraine] / M. Hrinchenko // Rad. muzyka [Soviet Music]. – 1939. – № 6. – S. 12–15.
Barvins'kyy V. Muzychne zhyttya u Prazi ches'kiy [Musical Life in Czech Prague] / V. Barvins'kyy // Muzychnyy visnyk [Musical Journal]. – Lviv. – 1930. – S. 58–61.
Smolka J. Česká hudba našeho století / J. Smolka. – Praha, 1961. – 376 s.
Belza I. Russkye klassyky i muzykal'naya kul'tura zapadnoho slavyanstva [Russian Classics and Musical Culture of Western Slavdom] / I. Belza. – M. : Muzhyz, 1950. – 488 s.
Nikolayeva L. Kamerno-instrumental'ni tvory M. Kolessy [Chamber Instrumental Compositions of M. Kolessa] / L. Nikolayeva // Muzyka [Music]. – 1979. – № 1. – S. 10–15.
Voloshyn M. Vysshyy muzychnyy instytut u L'vovi [Higher Musical Institute in Lviv] / M. Voloshyn // Al'manakh muzychnyi [Musical Almanac]. – Lviv, 1904. – S. 102–104.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors published in this journal agree to the following terms:
a) The authors reserve the right to author their work and grant the journal the right to first publish this work under the Creative Commons Attribution License, which allows others to freely distribute the published work with a mandatory link to the authors of the original work and the first publication of the work therein magazine.
b) Authors have the right to enter into separate additional agreements regarding the non-exclusive distribution of the work in the form in which it was published by this journal (for example, posting work in an electronic repository of the institution or publishing as part of a monograph), provided that the reference to the first publication of the work is maintained therein. magazine.
c) Journal policy permits and encourages the submission of manuscripts by the authors on the Internet (for example, in repositories of institutions or on personal websites), both prior to submitting this manuscript to the editorial board and as it contributes to the emergence of productive scientific discussion, and has a positive impact on the promptness and dynamics of citing a published work (see The Effect of Open Access).