Musical Theoretical Approach to Studying the National Stylistics of Classics of Ukrainian Piano Music for Future Musical Art Teachers
DOI:
https://doi.org/10.35433/pedagogy.4(86).2016.144-148Keywords:
genre, national stylistics, national musical language, form-making processes, imageryAbstract
Stylistic aesthetic, imaginative sensual and texture evolution of piano music genres in Ukraine in the first third of XX century are analyzed in the article.
It is noted that Ukrainian music experienced great changes at the sharp bend of XIX–XX centuries. Despite a tough reaction and oppressions, which Ukrainian culture suffered in that period, the development of a strong folklore stream, which nourished the oeuvre of famous Ukrainian composers, kept proceeding in the musical art.
The peculiarities of formation of national stylistics in the context of Slavonic and European musical cultures development are figured out. The forming of stylistic renovation features of piano music by classical composers was progressing in the way of assimilation the general legitimacies of European art tendencies on one hand and by the very national features, which found their embodiment in their works on the other hand. The authorial reconsideration of traditional methods of work with the folklore material is inherent in the oeuvre of the majority of Ukrainian composers of the beginning of XX century.
The evidence of the early modernism and its later streams are organically combined in their oeuvre. The specificity of form-making processes and musical language of Ukrainian classical composers is disclosed. The very national peculiarities found their embodiment in their works and in the variety of ways and forms of composers thinking. It was shown in the texture diversity of compositionally expressive means of melodic structure, picturesque and emotional harmonic language, active characteristic rhythm and wide palette of dynamic colors.
The necessity of studying the national stylistics of Ukrainian piano music classics by future musical art teachers is formulated and grounded. In our opinion, the acquisition of musical theoretical approach for understanding the national stylistics of Ukrainian piano music classics should provide the qualitative training of highly qualified future musical art teachers, which are called to form moral aesthetic feelings and beliefs, musical tastes and needs of future generation of Ukrainians.
References
Sukhomlyns'kyy V. O. Yak vykhovaty spravzhnyu lyudynu [How to Bring Up a Real Person] / V. O. Sukhomlyns'kyy // Vybrani tvory : u 5 t. [Selected Works : in 5 Volumes]. – K. : Radyans'ka shkola. – 1976. – V. 2. – S. 149–416.
Koshyts' O. Spohady pro M. V. Lysenka [The Memorials about M. V. Lysenko] / O. Koshyts' // Lysenko u spohadakh suchasnykiv [Lysenko in the Memorials of Coevals]. – K. : Muz. Ukrayina, 1968.
Lyadov Ya. V. Pro melodyku S. Lyudkevycha [About the Melodic of S. Liudkevych] / Ya. Lyadov // Tvorchist'
S. Lyudkevycha [The Oeuvre of S. Liudkevych] : [Zbirka statey]. – Lviv, 1995.
Klyn V. Ukrayins'ka radyans'ka fortepianna muzyka (1917–1977) [Ukrainian Soviet Piano Music (1917–1977)] /
V. Klyn // Nauk. dumka [Scientific Thought]. – K., 1980. – 316 s.
Mykhaylov M. M. M. Vilins'kyy [M. M. Vilinskyi] / M. Mykhaylov. – K. : Sov. kompozytor. – K., 1962. – 103 s.
Il'nyts'kyy M. Vid "Molodoyi muzy" do "Praz'koyi shkoly" [From ''Young Muse'' to ''the Prague School''] / M. Il'nyts'kyy. – L'viv, 1996. – 238 s.
Vakhraniov Yu. Fortepyannie piesi y tsykli fortepyannikh pies v tvorchestve ukraynskykh sovetskykh kompozytorov [Piano Plays and Cycles of Piano Plays in the Oeuvre of Ukrainian Soviet Composers] : avtoref. dyss… kand. yskusstvovedenyya / Y. Vakhraniov / Kyev. hos. konserv. im. P. Y. Chaykovskoho [P. I. Chaikovskyi Kyiev State Conservatory]. – K., 1971. – 27 s.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors published in this journal agree to the following terms:
a) The authors reserve the right to author their work and grant the journal the right to first publish this work under the Creative Commons Attribution License, which allows others to freely distribute the published work with a mandatory link to the authors of the original work and the first publication of the work therein magazine.
b) Authors have the right to enter into separate additional agreements regarding the non-exclusive distribution of the work in the form in which it was published by this journal (for example, posting work in an electronic repository of the institution or publishing as part of a monograph), provided that the reference to the first publication of the work is maintained therein. magazine.
c) Journal policy permits and encourages the submission of manuscripts by the authors on the Internet (for example, in repositories of institutions or on personal websites), both prior to submitting this manuscript to the editorial board and as it contributes to the emergence of productive scientific discussion, and has a positive impact on the promptness and dynamics of citing a published work (see The Effect of Open Access).